Irresistible...
Published in New Scientist 31 July 1999 p56-57 (Article on my
PhD research by Simon Ings)
Mix a Virgin and a Selfish Gene, and what do you get? A
formula for creating products the public just have to buy, says
Simon Ings
IMAGINE you're the director of a major company. You have a hot
new product. A car, a credit card, a phone service, a bottle of
thin air or snake oil, the details aren't important, but the
point is, it has to sell. How are you going to get it noticed in
a world drowning in information?
Well, you could try reading some books on evolutionary
psychology and neo-Darwinism. Or if that sounds like hard work,
talk to Paul Marsden, a psychologist at the University of
Sussex. Marsden is working on what-depending on your point of
view-is either the ultimate selling formula, or merely the
latest fad to hit the faddish world of marketing. He is a
disciple of memetics, which views ideas, snatches of songs,
catch phrases, fables, adverts and so on as cultural self-replicators
or "memes"-a term famously coined by biologist Richard Dawkins
in his bestseller The Selfish Gene. Human brains, memeticists
suggest, are merely the hosts through which memes transmit
themselves. And individual selves do not really exist. Rather,
you and your likes, dislikes, beliefs and aspirations all emerge
from a soup of memes competing for space inside your head.
Such notions have been knocking around for years among Internet
geeks and on the trendier fringes of evolutionary psychology.
What's changed is that memetics is now being adopted by a new
crowd-consumer marketing experts.
Marsden, for instance, is working with marketing specialists to
develop campaigns for a range of blue-chip companies. The name
of the marketing company, Brand Genetics, tells you what to
expect. In style and language this is Richard Branson meets
Richard Dawkins; Virgin meets the selfish gene. And the pitch
goes something like this.
- Step 1: ignore the actual utility of the product and
concentrate entirely on what really sells it, brand
identity.
- Step 2: treat people as passive vectors for a new sort
of disease-your brand-rather than as rational agents with
complex psychological underpinnings.
- Step 3: don't bother doing lots of research to find out
what sorts of cars or soft drinks people really want, simply
unleash something that is designed, packaged, named and
advertised so that the idea of it will spread like a
contagion.
- Step 4: get the language right. Talk about cloning
brands and markets rather than copying them. Remember, the
news of the death of Diana prompted myriad personal
reactions, but only one universal symptom: we all had to
tell each other about it. Similarly, the way the tamagotchis
spread among schoolchildren has an epidemiology
indistinguishable from that of a chickenpox epidemic.
Now for the tough question: can meme marketers ever understand
what it is about the tamagotchis of the world that makes them so
contagious? Marsden thinks they may not need to. In his
research, he aims not so much to uncover the general design
principles of contagious memes as to develop a purely empirical
method for predicting how a brand is likely to rate in the
catchiness stakes. Marsden's starting point is that in a world
awash with information, a brand-or meme-is likely to be catchy
only if it triggers, consciously or unconsciously, powerful
associations in our minds. Like sex and food.
So far so uncontroversial. But Marsden builds on this to suggest
that the entire mind of a consumer can be viewed as an
archipelago of networks of associations-between words, images,
colours, sounds, emotions and, of course, consumer brands they
have already been exposed to. Having already developed a
software system for mapping these associations, Marsden thinks
he is close to creating a sort of virtual consumer for testing
the catchiness of new brand identities.
The virtual consumer is in fact a neural network capable of
"learning" about the associations we routinely make and storing
them as a map of connectivities of varying strengths. New brands
(say, a relaunched credit card) can then be rated according to
what sorts of associations they trigger in the virtual consumer.
Experimental brands that light up the largest chunks of the
associative map are likely to be the most generally contagious,
while brands that trigger the same patterns of associations as,
say, BMWs or Rolexes will be contagious among the rich.
And as a source of raw information about the associations we
make, the Internet takes some beating. To demonstrate this,
Marsden, working with Johan Bollen of the Santa Fe Institute,
set up an experiment in which 1200 users were asked to form
associations between 150 common English nouns. Over time, the
neural network detected nine groups of strongly connected words
from the verbal stew. In this case, the Internet users were
aware of what was going on. But Marsden believes there is no
reason why neural networks couldn't build up commercially useful
associative maps without people knowing, simply from the records
of the Web pages and sites people visit.
Perhaps memes are nothing more than a metaphor. Perhaps
Marsden's neural networks are, at heart, only a more
sophisticated version of what marketing experts already get up
to in their focus groups and data-trawling exercises. But if
memetic marketing does take off, what then?
If only because of the language involved (cloning brands,
infecting consumers), its use by big companies could provoke us
to revolt against fashions that we regard as "unfairly"
manufactured. Perhaps we will create our own reactive memes of
consumer mistrust or use technology to take refuge from memes.
One meme-proof approach to searching for goods and services
online already exists. It's a fuzzy logic system called Forager,
designed by Daniel Brown, a clinical psychologist, and his
colleagues at Applied Psychology Research in London. Forager is
currently helping Web users to find videos, skiing holidays and
even personlised programme schedules for digital TV. And in
libraries across Britain, readers have begun to use the system
to choose books they never knew existed.
To use it, you simply describe your ideal book by locating it
along scales with names such as Happiness, Sex, Optimism,
Surprise. The system's fuzzy logic uses this imprecise
information to search a database of books that have also been
graded this way, using responses from randomly chosen readers.
By acting on core desires, this fuzzy logic programme offers
protection from all those infectious marketing memes-think of it
as a sort of condom for the mind. Alas, it also means you have
no need for reviews, word of mouth, critics, tribal identity or
any of the other consensual processes that create fashion and
culture and generally glue the entire planet together. Do we
want our artists and novelists merely to address "like minds"?
Come to that, do we really want what we really want?
No, foraging in isolation is fine in small doses but is clearly
no substitute for following the herd. So relax, let them clone
your associations on the sly and infect you with their brand
memes. Be that passive vector, sip that memetically modified
cappuccino.
Think of it as your contribution to a vibrant culture.
Back to Published Work
|